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what is left is the palette
The Tragic Ponies series explores my complex relationship with the keeping of animals
Work can be folded
but the walls had haunting yet sympathetic traces of the daily life of the cottage's old residents
Tuu jo! Realistic what is left is thediptych, 14x17cm x2 oil on canvas part of 'postcards from places I can no longer visit' Working from an archive of my own childhood photographs, I am approaching self portraits as refracting images of a not me anymore. The childhood portrayed in these photographs is familiar yet foreign, as a look back at it through someone else's eyes, recognising the taken photographs, not the moments themselves. The act of reproduction allows a further refraction
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